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・ Pierre Haarhoff
・ Pierre Habumuremyi
・ Pierre Hadot
・ Pierre Hamel
・ Pierre Hanon
・ Pierre Hantaï
・ Pierre Hardy
・ Pierre Harmel
・ Pierre Harper
・ Pierre Harvey
・ Pierre Haski
・ Pierre Haubensak
・ Pierre Hedin
・ Pierre Heijnen
・ Pierre Henri
Pierre Henri Cami
・ Pierre Henri Gauttier Duparc
・ Pierre Henri Hugoniot
・ Pierre Henri Hélène Marie Lebrun-Tondu
・ Pierre Henri Joseph Baume
・ Pierre Henri Landry
・ Pierre Henri Larcher
・ Pierre Henry
・ Pierre Henry (ice hockey)
・ Pierre Hentges
・ Pierre Hermans
・ Pierre Hermé
・ Pierre Hervé Ateme Elanga
・ Pierre Hevey
・ Pierre Hilzim


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Pierre Henri Cami : ウィキペディア英語版
Pierre Henri Cami

Pierre Henri Cami (1884–1958) was a French humorist.
"Though blissfully ignored for most of his life by the
English-speaking public, Cami (Pierre Henri) remained
for four full decades one of France’s most prolific,
and acclaimed, comic authors. Hailed by his idol and
admirer Charlie Chaplin as “the greatest humorist in the
world,” Cami was somewhat willfully omitted by André
Breton from his Anthologie de l’Humour Noir—no doubt
on account of his huge popular success—but admired
by other Surrealists. Between 1910, when he founded
Le Petit Corbillard Illustrè, the “humorous organ of the
corporation of undertakers,” and his death in 1958,
Cami published well over forty volumes of minidramas
and comic novels—notably The Memoirs of God-the-
Father, The Adventures of Loufock-Holmes, The Son of
the Three Musketeers, and the travels of his perhaps most
famous creation, Monsieur Rikiki and the Rikiki family—
as well as countless songs, strip cartoons, screenplays
and even operettas. Many of these he also illustrated.
But Cami was best known for his “dramatic fantasies,”
written mostly for La Vie Drôle, the humorous column
published weekly by Le Journal, where he had stepped,
somewhat belatedly, into the shoes of that column’s
immortal co-founder, Alphonse Allais. Self-styled
microdramas of everyday life, of legend, of history
(and even of geography), of true (and false) romance,
and more often than not of volupté, these screwball
skits look backward to the music hall and Alfred Jarry,
sideways to the Marx Brothers and forward to, in
England, the Goons and, in France, to the Theatre
of the Absurd." —John Crombie (Introduction to A Cami Sampler)
See A CAMI SAMPLER. Translated from the French by John Crombie.
Publisher: Black Scat Books.
A collection of Cami's comic microdramas, plus a selection of his drawings.
(publication date: Jan., 2013; www.blackscatbooks.com )
Read Doug Skinner's translation of Cami's The Man in the Iron Mask. http://ullagegroup.com/2008/12/13/pierre-cami/#more-322




抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Pierre Henri Cami」の詳細全文を読む



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